Multimedia Link To Check Out!

This is a very interesting site that mixes all kinds of work. The Iraqi Flipbook is included, but so much more. And it's been put together by an extraordinarily talented motion graphic artist, Jody Sugrue, who works in New York.

The Pulp

A Personal Letter About My Work

I hesitated to put this up on my blog, but got permission from the writer so I figured it was OK. I am deeply touched by this reaction to my work and it's one of the inspiring aspects of devoting myself to the life of a storyteller who cares about issues in the world. It also reminds me, and should remind all of us, that people are open and interested and care...and we must keep on telling stories that matter to us!


"8:10 pm. I am still at my desk at the office. Steve is at the Lightning game. I have been on the phone with Dale going through the documentaries from Ed Kashi photography sites.

It has been hours since I planned to go home. Watching those has been a life-changing experience. I knew Dale, despite his mishigas, having travelled to many continents on assignment with electronics companies, like Litton and for our government, photographed on land and underwater would appreciate this.

Although I was correct, he is annoyed that I didn't introduce him. It is hard (no impossible) to comprehend the depth and scope of work that Ed done. I went to all the links I could find on two websites and know those images and the people in them will remain with me.

It has been 5 days since I was at USF for the multicultural program and it was just people from other countries in a room with refreshments. I don't know how Ed got in to take those pictures, nor how he got out safely with his work intact, but objectively words alone could not come close to their impact. In fact, through the narrative of the Wounded Veterans, their emotions were incomprehensible to what I was seeing.

Ed's camera lens has become our eyes to witness what we cannot travel to see for ourselves. We read two newspapers, Tampa Tribune and Lakeland Ledger (New York Times subsidiary) and after so much reading about Iraq and Afghanistan, I have become numb to what I read. The photo documentaries covered issues, many new to us that make me question my time and how I will spend it.

It is hard to look at those and not ask ourselves difficult questions. I am glad I waited until after the wedding chaos.

8:40 p.m. and I will be careful when to share these images with Steve. I want him to be able to sleep tonight. At the same time, he is deeply compassionate. I want to share these with people I know, some of whom were at the wedding with us and others who I have worked with. I appreciate living here more than I did a few hours ago. While the images were disturbing, I didn't want to miss anything. The work Julie did about her father is wonderful.

Wondering what effect his work has had. What has grown out of it.

More than likely, he will never know."

On Assignment with Los Angeles Paramedics

For the past week I"ve been working on our latest documentary, which is about the access to healthcare crisis in America today.

The situation is troubling at best and continues to defy any humane logic. The incentives of our healthcare system run counter to common sense, what's best for each of our individual welfare and our society as a whole. We are wasting money and not providing the best care for the greatest number of our citizens. In Los Angeles, we are witnessing the abuse and misuse of the great talents and commitment of the city's firefighter paramedic force. Most of the calls we've been on are non-emergencies that only tax the system and often leave these men and women unable to respond to their main task, which is health emergency 911 calls. These paramedics are being utilized by the community of Watts, which is where I've been stationed, more as primary care doctors, or at worst, as a very expensive taxi service to get them to the head of the line at the emergency rooms of the local hospitals. This is not good nor is it a smart use of our resources. The cost of an LA firefighter ambulance transport is $500 when it's non-urgent and as high as $900 in more critical cases, not including medications. That's before even setting foot inside a hospital. Many of the people who are calling for ambulances either don't have insurance or are under insured. This means the taxpayers will end up covering the costs. I don't have a problem with paying taxes to help those in need, but the system is perverted the way it works now. It is fueled by the wrong incentives. People need to become more educated and the system needs to be revamped. Community clinics, doctor home visits and less expensive forms of primary care need to be implemented in most places, but especially in our low income areas.

Here are a few images from the past week's work. Comments and solutions are welcomed.

New Comment on the Iraqi Kurdistan Flipbook

This note came in from Denise O. Mangen, a photographer, student and educator at NYU...

"thanks for tipping me off to the flipbook frenzy. got me all fired up in many ways. most frustrating was not the criticism but the lack of constructivity in it! a major point missed is the co-creation of meaning. regardless of medium and mode of dissemination, author, subject and viewer/reader all work to do the telling of any story. what is unfortunate is the distanciation of this flow from our conscious consideration of said meaning. in much the same way that a photographer brings her own subjuectivities to bear upon the telling of a story, a viewer will to the story being told. words such as
authoritarian and even objectivity bring nothing productive to the table, but rather reinforce and perpetuate the mass machine of media and misunderstanding. what i love about the flipbook is not the look at everyday kurdish life...is not the mode of presentation (on msnbc or mediastorm)...is not that ed kashi is the storyteller... what moves me about this piece is that its mode of presentation allows for multiple entry points into understanding the photographic process (in general and yours, specifically) and simultaneously enables an understanding that this is what ed kashi saw and is telling us about
everyday kurdish life. the distinction may seem subtle, but is very important and is the difference, i believe, between the rantings of some of LS folks and the praises being sung. the distinction is rooted in the multiple layers of meaning in this piece: the story that you tell in your images, the story that is told in mediastorm's presentation of them, the story that is told in msnbc's packaging, and so on. they do next exist disparately, but are instead coeval and simultaneous. that's quite an achievement; on your part, for storm and crew, and for the viewer who is moved by, even if not cognizant of,
these layers.

kudos: for your storytelling and for shaking things up enough to get a least a few photogs to think more thoughtfully, critically, and creatively about what it is that they're doing."